CONTENTS
Summer 2025 Edition of
News & Notes Explores Leadership and Critical Decision-Making
In the
Summer 2025 issue of the NASA History Officeâs News & Notes newsletter, examples of leadership and critical decision-making in NASAâs history form the unifying theme.
FEATURED ARTICLES
Read our Summer
2025 newsletter
Our Next Aerospace Latin America Seminar: Pedro Alonso Presents on July 10
âNASA in the Most Remote Area: The Laser Station and the Landing Strip on Easter Island during the 1980sâ
Pedro Alonso (Pontificia Universidad Católica de Chile)
Thursday, July 10 at 2:00 pm EDT / 1:00 pm CDT / 11:00 am PDT
In 1985 a group of architecture students from the University of Chile made up two scale papier-mâché models of a Moaiâthe emblematic and monolithic human figures carved
on volcanic stone by the Rapa Nui people of Easter Islandâto create a barricade in demonstration against General Augusto Pinochetâs intentions to allow the installation of a U.S. NASA base on the island. A mixture of art, activism and politics, their performance
defied the dictatorial regime by ultimately burning the figures. In fact, during that period, several episodes of technological exchange between Chile and the United States took place when tracking stations and other facilities were installed all along the
country. By discussing a wide array of objects and visual materials, this talk will explore how science and technology were imagined, designed, and built alongside the politics, as well as the associated artistic and visual cultures attached to the reception
and adaptation of those technological artifacts intended for one of the most remote areas of the planet.
Pedro Ignacio Alonso holds a PhD in architecture from the Architectural Association in the United
Kingdom and heads the PhD program in Architecture and Urban Studies at Pontificia Universidad Católica de Chile. He was a Princeton-Mellon Fellow at Princeton University (2015â2016) and a resident architect at the Rockefeller Foundation Bellagio Center (2019).
With Hugo Palmarola, he received the Silver Lion for the Chilean Pavilion Monolith Controversies at the Venice Architecture Biennale (2014), which is now a permanent exhibit at the Museum of Memory and Human Rights in Santiago, Chile.
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